So I’ve already told you about a new model I’m trying out – turning my film ideas into books first and publishing them on Amazon. My first novella, Touch was received surprisingly well. It was the first of a trilogy of novellas I was planning to write – after getting the three books out, they will then be available as a bundled, single novel.
I’ve been asked by some people how to properly format a script. Note that I mean the actual formatting, page layout, etc., as opposed to how to write or structure a script. No one I know is dumb enough to think I know how to write or structure a script.
All self-deprecation aside, formatting a script is important. It’s at least as important as just knowing how to spell and knowing proper grammar. No, screw that – it’s WAY more important. If I get a script by someone who occasionally mixes up “its” and “it’s,” I hardly notice. If I get a script from someone and it’s clearly been written in Word with no formatting, I just immediately write it off. It’s a gut reaction. It means the person who wrote the script didn’t think they had the time to get to absolute zero before trying to start their project. Continue reading
The face of film is changing. No one’s unclear about that (double negative – suck it, bitches!). Digital distribution is actually a thing now. You’ve got entire series coming out that are Netflix-exclusive or Hulu-exclusive. Redbox has funded feature films. (No good ones that I’m aware of, but it’s only a matter of time). Web distribution is actually making people money. The game is changing every day. After almost 100 years of the studio model and its stagnation we’ve all witnessed in the last couple of decades, now everyone is flailing about wildly trying to figure out what the “next big thing” is, or if there even is a new big thing.
Well, I’ve come up with an idea, and the night before last, I took the first step toward putting into action. Continue reading
I’ve recently released the website for my “debut” short film, Overnight. The quote marks are because I’ve actually directed two short films since Overnight which are both already released, while Overnight is still in post production. The explanation for that is that the other two shorts were both 48-hour film projects, so they’re “done,” but of course, 48-hour film festival quality. (That’s not self-disparaging, that’s just reality). Continue reading